Direktlänk till inlägg 24 april 2009

Sheela Gowda

Av Lars Vilks - 24 april 2009 20:17

Sheela Gowda's (b. 1957, India) work occupies the spaces between painting, drawing, sculpture, and installation. Initially trained as a painter, Gowda underwent a profound transformation in the wake of fundamentalist Hindu violence and the Bombay riots of 1992. It was at this time that she abandoned conventional forms of painting and turned to sculpture and installation. She also made a dramatic shift in her choice of materials, incorporating into her work substances and processes from traditional Indian culture such as cow dung, which has sacred implications but is also used as a domestic cooking fuel and building material, and Kum Kum, a red dye used for body adornment and rituals. Consciously blurring the line between fine art and craft, and between creative, political, and domestic spaces, she makes formal investigations into the possibilities of contemporary art while also questioning the role of female subjectivity in the often volatile mix of religion, nationalism, and violence in contemporary Indian society. Works in the exhibition: 

Dancing (And...II) 2009 

Two Knots (Ground Shift) 2009

 
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Kommentar

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